Download White AUTHOR Kenya Hara 107

characters White AUTHOR Kenya Hara

Download White AUTHOR Kenya Hara 107 Ï ❰PDF / Epub❯ ☁ White Author Kenya Hara – Dcmdirect.co.uk White is not a book about colors It is rather Kenya Haras attempt to explore the essence of White which he sees as being closely related to the origin of Japanese aesthetics – symbolizing simplicity White is not a book about colorsSWhite is not a book about colors It is rather Kenya Haras attempt to explore the essence of White which he sees as being closely related to the origin of Japanese aesthetics – symbolizing simplicity and subtlety The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void Kenya Hara also sees his work as a designer as a form of communication Good communication has the distinction of being able to listen to each other rather than to press one’s opinion onto the opponent Kenya Hara compares this form of communication with an empty container In visual communication there are eually signals whose signification is limited as well as signals or symbols such as the cross or the red circle on the Japanese flag which – like an empty container – permit every signification and do not limit imagination Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptines. Unconventional and thoughtful

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White is not a book about colors It is rather Kenya Haras attempt to explore the essence of White which he sees as being closely related to the origin of Japanese aesthetics – symbolizing simplicity and subtlety The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void Kenya Hara also sees his work as a designer as a form of communication Good communication has the distinction of being able to listen to each other rather than to press one’s opinion onto the opponent Kenya Hara compares this form of communication with an empty container In visual communication there are eually signals whose signification is limited as well as signals or symbols such as the cross or the red circle on the Japanese flag which – like an empty container – permit every signification and do not limit imagination Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptines. Shiro by Kenya Hara is a masterpiece It’s not often that I come by a book that is so true to its core ethos in both form and message From the textured white in the title the pure white on the first page and the printed white within the pages; Hara has put an amazing amount of meticulous detail into making the act of reading his book such a physically and mentally enjoyable experience He has in his own words mastered the art of “controlling differences” at its most visceral formAside from strictly the architecture of his work Hara does a great job of explaining what makes “white” so amazing particularly to designers The creative individual Hara argues looks at the empty bowl as a powerful thing Rather than having no use it is great in its potential to be filled with something White represents this potential power found in emptiness that designers need to understand and appreciate in order to use to its fullest magnitudeThroughout the book Hara often makes comparisons to Japanese culture and mythology which adds even deeper layers to the story of white Coming out the end of it I can’t see white or emptiness in the same way I did before And for that this is easily a 1210

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White AUTHOR Kenya HaSWhite is not a book about colors It is rather Kenya Haras attempt to explore the essence of White which he sees as being closely related to the origin of Japanese aesthetics – symbolizing simplicity and subtlety The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void Kenya Hara also sees his work as a designer as a form of communication Good communication has the distinction of being able to listen to each other rather than to press one’s opinion onto the opponent Kenya Hara compares this form of communication with an empty container In visual communication there are eually signals whose signification is limited as well as signals or symbols such as the cross or the red circle on the Japanese flag which – like an empty container – permit every signification and do not limit imagination Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptines. Short thought provoking and beautifully designed my favorite kind of book As a graphic designer I enjoyed this